Esoteric symbols consistent with the plasma instability can be found in contemporary film.
Movies and television and hand held media are the visual subliminal theater of our times. Symbolism has served to stir our subconscious recall without fully awakening our remembrance of our own relationship to the creative power within the plasma instability. Recognizing the esoteric themes and symbols will help us to reclaim our memory from the field of trauma and illusion.
As we awaken from our unconsciousness we may discover ourselves as characters in a play, acting out the plots and subplots; the transition from powerless spectator to heroines and heroes in our very own stories.
The image of the Plasma Squatter Man and the Champagne Glass or Chalice formation of plasma can be found as a symbol of power whether for good or evil. It is a symbol of subliminal authority that triggers our minds and potential responses.
The Image of Snow White’s Evil Queen came to mind when I first saw the semi-opaque version of the plasma discharge. She holds the box into which the Huntsman was tasked to place the heart of the beautiful Snow White. On the box there is a symbol of a heart pierced by a sword that resembles the pierced Immaculate Heart in Christian theology. Above the heart is a disc within a disc resembling depictions of Mars as it might have been seen with Venus. Both are references to the Virgin Goddess and to Venus. The clasp may also serve as sigil or seal on the power that lies within its wearer, or within its witness. All of these symbols have layers of mythical, alchemical and esoteric meaning.
In Disney’s original Snow White movie, The Queen’s mirror reflects a face that demonstrates the form we can overlay with the pattern of the Squatter Man and the Peratt Plasma Instability. That pattern is scalable to our own human faces. Instead of seeing her own face reflected in the mirror, her intention draws forth the dark knowledge of her alter or complementary gender. He is her other half.
Disney’s Evil Queen sits upon a Peacock Throne. The eyes of the peacock feathers trace the transit map of Venus. The great fanned tail is consistent with the symbol of Ishtar, Innana and of Venus as she gives birth to Mars. The peacock symbolizes the God Anu. The peacock is also a representation of the transformative glands of the middle brain; the pituitary and pineal glands as they unite to control the power of the serpents within. For those among us studying the role of Saturn in the esoteric cosmology, there is an image of Saturn on the Throne, visible as the Queen leans forward.
In Snow White and the Huntsman we can again find the symbolism of Venus, the Peacock, the dense plasma focus all tied together with the purity of Snow White; and the false purity and power sought by the Evil Queen. The windows in the Throne room and in the room where she bathes both imitate the dense plasma focus. One sheds light on power, the other on the supposed purity of the evil Queen Ravenna or at least a cleansing of her sins.
The exaggerated collar of Queen Ravenna’s gown echoes the champagne glass portion of the plasma formation. Her crown hints at the fiery electrical energy of the ancestral Gods and encircles the energy of the transformative glands and crown chakra; making the crown itself into a sigil of power. The male and female energies recreate the central disk.
Queen Ravenna’s Mirror is a portal to her veiled subconscious and likely a trauma based projection of her own fears. The idea that her inner knowing comes from a male persona in the story is interesting given that Queen Ravenna has vengefully eliminated her worldly male counterparts and now seeks balance through a false standard literally reflected by a male “other”.
In a B movie called “Lords of Salem”, it is the sounds played from a record album that is marked with a strange symbol that calls out to people, causing them to become like zombies to serve an evil presence. There is a hypnotic, transforming sense to the qualities of sound. As the central character becomes entranced by the voice of the Lords of Salem, she too transforms to a zombie like state, wearing the sigil of the Lords. The sigil is a pattern match for the iconic Squatter Man and the Peratt Plasma Instability.
In Legend by Ridley Scott, the Black Wedding Dress dances before the fire enticing Lili, a Lilith parallel, to become the bride of Darkness. Again, the music is used to induce a compliant hypnotic trance.
Visually, the Black Wedding Dress with its exaggerated collar creates the same champagne glass silhouette that we found in Disney’s Snow White. Lili dances before the flames of the fireplace that resembles a glowing skull.
Ultimately, the heroine must overcome her seduction and regain control of her own free will. She must risk herself to free the innocent, in this case represented by the unicorn, thus defeating the goal of evil to co-opt and kill all that is pure and good in the world.
Again, our villain Queen wears the high collar whose subliminal message is one of power both magical and dangerous. Note also her horns, symbolically recognized as demonic in most cultures.
Maleficent isn’t the only one to wear Devilish horns. In the image above, the horns are worn by a fashionable Medieval witch and by Sauron, Lord of the Rings. Is there some pattern resonance with what looks like a crown and cloak within a planetary magnetosphere? Did our ancestors fear horns as associated with evil or were they able to sense severe spikes in the energy fields and associated them with chaos and danger?
In this bottom image, biological cycles are plotted as waves: brainwaves, heart rate, breathing rate, day and week. This looks like the laboratory version of the Squatter Man. It also looks like the Sheela Na Gig Goddess carvings and many depictions of squatting demons or devils.
Only half a Squatter Man is in his symbol, but again the design of the champagne glass plasma formation in evident in the collar of his cloak. The clasp on his cape is decidedly symbolic. His story also involves the esoteric wisdom in restricted books, the casting of words and the power therein.
Batman: Dark Knight Rising
A pattern strongly resembling the plasma Squatter Man was the design used on the fusion power source that had been created for clean energy but then turned into a weapon by the “Shadows” who sought to destroy corruption in human civilization and reset the balance, supposedly between good and evil.
A pattern strongly resembling the plasma Squatter Man was the design used on the fusion power source that had been created for clean energy but then turned into a weapon by the “Shadows” who sought to destroy corruption in human civilization and reset the balance, supposedly between good and evil.
The hero’s role that the Batman must fulfill, is to survive the journey through the inner shadow and transform the energetic potential of destruction into creation. he conscious and subconscious use of symbol in art and cinematic storytelling are a tool for examining our own shadow selves and for the remembering of wisdom and knowledge locked away by trauma and time. Our traumas and shadow selves are mirrored also by our social structures, dogmas and governments, reflecting back to each of us the responsibility to successfully complete our own hero’s journey.
Tolkein’s mythic stories embrace the hero’s journey, the Goddess, and the raw power that can be harnessed for good or for evil. Like all good myths, it speaks to us on the esoteric and exoteric levels, layers of meaning for the initiate and the innocent alike. Tolkein’s signature symbol is a very similar symbol to that is created by the Peratt Plasma Instability and the Squatter Man petroglyph. Consciously or subconsciously this symbol is repeated in imagery that reflects understanding of power for evil or for good ….and the battle between the two.
In Return of the King, the Eye of Sauron hovers over the Dark Tower of Barad-dur; its energy focused at the center of the Vesica Piscis, a parallel to the Communion Host over the Chalice, or the dense plasma focus over a chalice-like stage of the Peratt Instability.
Sauron’s Eye seeks the One Ring, the sigil inscribed with the words of power to control those whose own rings were cast to help their bearers rule.
The Secret of the Kells
“…a celebrated master illuminator arrives from foreign lands carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide.” https://www.rottentomatoes.com/m/secret_of_the_kells/
Of course his friend and companion is herself a mythical shape shifting creature.
The arches are decorated with symbols that include the serpentine crescent, the sacred mountain, the spiral, the tau cross and the Squatter Man. They also include a row of faces as witnesses to the magic.
The Master Illuminator eats from the symbolic apple of sacred geometry, the geometry of five, the Goddess and Venus. Remember the significance of the apple in Snow White and as the Royal Orb and as the Flower of Life.
In “Captain America: The First Avenger”, Obergruppenfuher Schmidt aka Red Skull, the leader of Hydra, sought out the legendary Tesseract of Odin’s treasures. He found the hidden energy source in a Church wall, hidden in the roots of Yggdrasil; the Tree of Life and guarded by the serpent Jormungandr. Schmidt extracts a box from the roots of Yggdrasil. Serpent coils can be seen in the close-up of the box. This is a correlation between the stable plasma form and the World Serpent around the Orphic egg.
Howard Stark’s notebook is shown in the film, open to an image of the Tesseract. As the serpent coils around the egg, the eight celled Egg of Life is the cube at the center of the Tesseract. Drawn as an eight pointed star, the Tesseract pattern serves as a pattern overlay for the final stage of the Peratt Instability. These are allusions to the same mythical “power of the Gods”.
To quote the character Johann Schmidt: “My weapons contain enough destructive power to decimate every hostile capital on Earth. Quite simply, gentlemen, I have harnessed the power of the Gods.” http://www.imdb.com/character/ch02267309/?ref__tt_cl_t5
In the movie Prometheus, life on Earth was spawned by a fictitious alien species. The “creator’s” ship echoes the shape of the plasma “sausage” instability.
We seem to have subconscious recognition of these shapes as being related to the beginnings of life. The Labyrinth, the Oroborus, the cymatically produced serpent all resemble the embryo and egg sack. The “Cymatic 666 Hertz” is a pattern match with the mythological representations of the Serpent in the Garden of Eden and the Serpent around the World Tree.
Note on Cymatic Alchemy: “Serpent” 666 Hertz (six-six-six) is perceived as the number of Man. It also shares the pattern of the plasma “sausage”instability. 666hertz is an E+ in music, nearly a harmonic chord with C#.
http://www.ucl.ac.uk/archaeology/calendar/articles/20121127
In Avatar, the moon Pandora was geomagnetically capable of supporting floating islands and creating archways over what in the movie is called “The Tree of Souls”.
In Marvel’s Thor movies, Odin, King of Nine Realms had sacrificed one eye to gain higher perception and wisdom.
In Tomb Raiders, there was a huge Orrey; a movable model of a solar system. Laura Croft used the Illuminati Eye in an experience of healing the past by entering the Orrey.
In The Dark Crystal, Aughra, Keeper of Secrets sacrificed her eye to witness the intensity of light during a previous Great Conjunction. She kept track of the alignment of planets and the Great Conjunction with a huge Orrey. During the Great Conjunction, the Dark Crystal would be mended and those who had been separated into polar opposites of themselves would finally be made whole.
All of these characters remind us of the “eye that is single” and the goal of illumination. The energy at the center of the Vesica Piscis, the power in the dense plasma focus; the pattern that forms your own eyes; these are all scalable resonance portals of light and information. Likewise the illumination so sought after by those who would heal a traumatized culture, or mind, or planet is demonstrated by the Eye of Ra, the Eye of Thoth and the Sacred Marriage of the Pineal and Pituitary Glands.
Fans of Harry Potter and the Deathly Hallows will remember the bead-like nodes on the Elder Wand which is also called the Death Stick, and the Wand of Destiny. This deliverer of powerful energy looks a lot like a Harbig-Haro Object; a string of stars formed like beads along an electrical current in stellar nurseries.
In the Deathly Hallows, Dumbledore learned that he could not be trusted with the deadly power of the wand. Instead, it was his destiny to tame it.
The Elder Wand echoes the symbolism of the life generating lightning with nodules along its shaft. Through its services had been abused for greed and power its energy was directed by the intention of its master. The Resurrection Stone allowed the characters to briefly interact with those who had died. It represents a portal of interdimensional communication. The Cloak of Invisibility served to veil or shroud the wearer in this dimension of reality.
Also key to the story of Harry Potter is the transformation of the hero and his or her willingness to “…undertake the alchemical work and achieve the Philosopher’s Stone”. in Harry’s case the Stone was a symbolic story plot as well as a foreshadowing of his own transformation. This is another example of the way in which contemporary examples of myth focus on the end of abusive power and the will to heal.
Note: The Stone (or Elixir, or Quintessence) is the result of separation and recombination (Solve et Coagula) of the active and passive forms of the Spirit, the “primordial form of energy-consciousness that is utilized in magical rituals as well as in alchemy.” It is symbolized by an eight-spoked wheel.” http://thestygianport.blogspot.com/2009_03_01_archive.html
Voldemort misunderstood the meaning of being the Master of Death, believing that the Deathly Hallows gave mastery to forego death. Harry overcame death by sacrificing himself unto his death for those he loved then choosing to return to life so that he could complete his journey.
There is a scene early in part two of the Deathly Hallows where Hermione, Harry and Ron must escape from Gringott’s by freeing an imprisoned dragon. The dragon, or kundalini serpent energy that has been blinded and imprisoned in the lowest portions of the temple or the body (represented here by the deep caves under Gringott’s bank) that have blocked access to the treasure is set free to rise through the temple or body or treasure house and break through the crown chakra or in this case the glass roof, carrying the trinity of male female energy that has wrapped itself around the dragon or electrical energy.
Excalibur (according to some versions) is embedded in stone. Excalibur with its blade pointed upward is returned to the water and the Lady of the lake. Again, this reflects a stage of the Peratt Instability.
The Dark Crystal: Remember Aughra, the Keeper of Secrets kept track of the alignment of planets with the huge Orrey, waiting for the Great Conjunction and the healing of not only the Crystal, but those who had been split into polar opposites when the Crystal had been damaged.
Each of the corners of this triangular “Great Conjunction” symbol contains an image resembling the stable plasma condition. Each image resembles a serpent around its egg. The triangle refers to the conjunction of a trinity. Trinities are a common theme in mystical storytelling. Consider how the resonance of a trinity might apply to the electromagnetic forces within a plasma cosmology.
Here we witness the reunification of divided halves during the triple solar conjunction. Divided, the imperfections of the greedy Skeksis and the passive Mystics could not be destroyed lest they perish wit them. Reuniting in the light made them whole. This brings us again to the sacrificial meaning of the Host in the Holy Grail or Chalice metaphor and healing or resurrecting intention of Divine Consciousness.
Incidentally, of the three Suns in the Dark Crystal, on is the “great Sun”, on is the “Rose Sun”; recalling perhaps a red dwarf star, and one is a “Dying Sun”. Would that refer subconsciously to another player in the catastrophe theory?
In The Dark Crystal, the Grand Conjunction brings three suns together, casting light upon the Stone of Truth from which a shard has been broken in conflict. if healed the Dark Crystal would emanate with song that would resonate through “all the rocks of Thra”, being felt by all life on the planet.
The healing of the Stone is prerequisite for the split souls of the horrible Skeksis and gentle Mystics to be reunited into wiser versions of their more balanced original forms. This was the esoteric wisdom of the Keeper of Secrets. Replacing the lost shard and healing the Stone was dependent upon the heroic actions and the symbolic sacred marriage of the central characters. http://darkcrystal.wiki/Great_Conjunction
The Portal of Creation 