“In the beginning was the Word, and the Word was with God, and the Word was God.”
Okay, if we can peel ourselves away from our religious vocabulary for just a moment, and if we are trying to understand our relationship with a beginning, with “the Word” and with “God”, then how do we do we dissect this phrase in a way that helps us understand the logos and the meaning therein?
We are fractal parts of the whole; holographic microcosms within the macrocosm of the Consciousness of God. We are indeed as thoughts in the mind of God.
Thoughts, observation, and intention create vibrational frequencies within the field or matrix of Consciousness. Vibration, sounds, words underlie the energetic formation of matter. The Word of God is born of Wisdom, seated in the Womb of Creation.
I often contemplate the story of God’s decision to create human beings and how they would gradually surpass even the Angels in their likeness and closeness to God. It would be assigned to the Angels to assist this fledgling creation. The most beloved and beautiful Angel felt betrayed that such a creature would be created and loathed the thought of aiding in its ascension to a closeness to God surpassing its own. The Angel was cast down, as the story goes, upon the Earth but so too was set the fledgling child in the wager to test the worthiness of this new design. It is story mirrored in myths and metaphor; layers of meaning inherent in the tale. Admittedly, the way I recall this story reflects personal contemplation on it despite its differences with other versions. Nonetheless, I have found it useful in its point of view among numerous points of view. This particular viewpoint is a theme that I will return to in subsequent chapter blogs.
Personification of the Premise
The premise that underscores the tale of our creation always presumes that “God” is personified as male. The rational mind is traditionally labeled left brain dominant and therefore, male. Thoughts from the mind of God, alas….male, or at least to be dominated by all that is in hierarchy, male. The Angel, the word meaning “messenger of God”, is also traditionally male. These are reflections and false premises of the patriarchies that imposed the right of might as the basis for defining civilizations and God.
For our purposes, “God” is not limited to a personification but encompasses all that is, and is timeless. It is not the demigod of the Old Testament or an interfering genetic manipulator from a legendary past. God is not male or female but encompasses the qualities of both Father and Mother.
Mother and Father are archetypes and living metaphors that are played out on the human stage so that we might experience the richness of their sacred marriage and its offspring. When they are corrupted, we experience imbalance of power, corruption and death. Father and Mother are also archetypes and metaphors for pattern and for matter respectively, or more correctly, for pattern in the constant dance with plasma, each partner containing aspects of the other. Thought, intention and emotion are the music and the dance.
God’s Angel, the word meaning messenger, I compare to a synapse relaying the thought and intentions of the Consciousness of God. The jealousy and unwillingness of the Angelic tester of worthiness is connected to the trauma and separation that is scalable on every level of our perception.
Exorcising our free will.
How much of the subsequent evil permeating our “world” is the fault of the tester and the temptations cast, and how much have we as souls been willing to create with little or no provocation? Did our souls agree to incorporate the rebellious and prideful will so that we might temper it as we learn to temper our own free wills with balance and integrity? Did we accept the energetic parasite that we might temper it and heal it? What loving Mother/Father is not willing to suffer the pains of its own offspring that it might be healed? Would this love not be extended to both the tester and the tested in hopes that they both would be healed?
Giving birth to the microcosmic Christed Consciousness of God.
The Trinity is usually described as the Father, the Son and the Holy Spirit or Holy Ghost depending on your custom. In my experience, recognizing the Holy Spirit as the Mother aspect of God Consciousness is met with criticism as being sacrilegious. Patriarchy would have us view the Holy Spirit as the Spouse of Mary rather than the Spirit of Mother God descending and uniting with the Immaculate Heart of Mary. Nonetheless, the Word of God is born of Wisdom, seated in the Womb of Creation. These terms and titles express ideas of Mother and Goddess. She is the willing matter into which the design is cast. In religious terms, the Virgin into which the Spirit came that the Christed consciousness was incarnate. Consciousness, creating resonant frequency of pattern and interacting with consciousness creating the resonant frequency of matter/plasma result in the manifestation of resonant plasma forms of consciousness. Consider that the consciousness of the Mother/Father shapes the patterns and sounds, words that underlie the energetic formation of matter. This is the word made flesh. When the full God Consciousness is manifest in the purest of material form, then it is the Word made flesh.
The patterns of creation are repeated endlessly in nature, giving resonant form to the geometries of life in ever expanding and contracting fractals. We live within the living hologram of a consciousness organism.
Cymatics makes the patterns of the Word visible in matter.
Cymatics is the study of visible sound. John Stuart Reid, creator of the CymaScope, has demonstrated that cymatic sound was the inspiration for the form of Egyptian hieroglyphs, such as the Eye of Horus. He has also demonstrated the pictographic language of dolphins. Sound manifests patterns that become the language of creation.
The cymatics research of John Stuart Reid has provided evidence that sound is spherical in nature. Sound has been misunderstood as having wave form due to graphing that explains the curve of the sphere without perceiving the wholeness of the sphere. Realizing the spherical nature of sound may provide an opportunity to more deeply understand how sound vibration is energy and how energetic patterns become resonant matter. Cymascope: https://www.cymascope.com/
An electromagnetic plasma cosmology.
According to the Electric Universe Theory, we live in a plasma environment.
In these chapters/blogs we will explore pattern matches that underscore the plasma instability as a template for the formation of densification of energy into matter. We will follow the patterns found in the petroglyphs and in plasma past their initial visual compatibility to secondary similarities of metaphor, meaning and function.
Inspired in part by the work of Immanuel Velikovsky, mythologist David Talbot and physicist Wallace Thornhill of the Thunderbolts Project give credible evidence that our planets have not always held their current configuration in our skies. They hold that Venus, Mars and Earth were once embraced in the protective bubble of the planet Saturn and that, in keeping with ancient myths, Saturn was once a brown dwarf star and our primary Sun.
The relative placement of Venus, Mars, Earth and Saturn had been the visual inspiration for ancient depictions of Gods and Goddesses. Their common themes can be traced throughout cultures around the world. The collision course that brought us into the spiral orbit of our current Sun disrupted the placement of Mars, Venus and Saturn in their relationship to Earth, setting in motion a dramatic and terrifying display of energetic plasma in the skies. As the “voice of God” brought creation into being, the thunder of these Gods brought destruction and chaos, traumatizing humanity into further cycles of catastrophic expectation.
Not unlike the dynamic plasma arching between Tesla coils, instability patterns in the energetic plasma thought to be visible between the Earth and encroaching planets was the apparent inspiration for remarkably similar petroglyphs found across the planet. The images supplemented the story telling aspects of the ancient planet Gods by creating ghostly animated characters of plasma and light. The best documentable evidence of this comes from the work of Anthony Peratt for whom the Peratt Instability was named. He was able to create plasma instabilities and record their stages under laboratory conditions. The stages of the Peratt Instability seem to have inspired the strange stone galleries of images at distant points around the world. In particular, the image that has come to be called the “Squatter Man” is consistently found in petroglyphs worldwide.
The galleries of glyphs were recorded in stone by people on different continents, in different cultures who would have been very unlikely, according to our assumptions about ancient man’s inability to communicate either telepathically or with other energetic technologies, to have contact between one another. What they shared globally seems to have been an experience which was in some way visible to them all.
The petroglyphs tell a story of seemingly mystical visitation from alien looking creatures, duck headed humans, ladders and spirals, indecipherable to our modern eyes. Ancient stories of the indigenous cultures tell of interaction of “Gods” with humanity and protection of during times of cataclysm. Indigenous cultures speak of ancestral Gods and wisdom teachers from planets other than our own that have gone but will return.
Finding the templates of healing.
We also cannot be certain of, nor should we exclude the entheogenic influences upon the drawing of the petroglyphs. Shamanic practices reach into awareness not commonly accessed by contemporary consciousness. Like spheres of sound or microscopic life, not all that exists can be seen by unaided human eyes. It is possible that the experiencing of the events were enhanced by the use of entheogens or that the energetic effects of experiencing close planetary proximity created biological stresses upon the bodies and brains of those who were experiencing the phenomenon, propelling them into or shutting them off from a state of extended awareness.
Shamanic evocation of and interaction with deities is a remnant of our most ancient awareness of our connectedness to the underlying consciousness of the universe. If we could imagine a time when we were all capable of seeing the entire spectrum of light or hearing the entire spectrum of sound, what would creation look like? Our limited perception of vibration, sound and light is likely evidence in itself, not of a lack of physical evolution, but of a disconnection from our natural state of spiritual being. If we are both spirit and matter then where is our true potential?
Overcoming the seeming separation from the Source of all Creation is the driving motivation behind not only accepting the offspring of ancient myths in their modern religious forms but behind our quest for knowledge, wisdom and love. We experience certainty and are touched by our deep wisdom when we hear an unshakable truth. We experience a recognition, consciously or subconsciously, when we encounter a visual trigger or symbol that likewise touches us on some very deep level.
If there are energetic templates within plasma instabilities then we should find evidence for them by observing their correlation to patterns in nature. If there was physical trauma induced upon our ancestors by enduring the gravitational, electrical and magnetic changes associated with planetary interactions then the potential for rapid changes in the development of life forms should also be documentable (though they will not be documented in this text). Unveiling what may be subconscious recognition of the templates of creation may help us not only to heal from what we perceive as a separation and trauma, but to move toward the fulfillment of physical manifestation of the Consciousness of God in infinite and sovereign form.
The Portal of Creation 